She’s one of the young masters of illustration in America today. I’m pretty sure she knows more about using different shades of color together than anyone else on earth. Her concepts for her work combine perfectly with the depth and layers she draws to drop you into a different universe of her creation. All of her art seems immersive, like you’re going to get lost in it, like there’s no way it’s on a flat screen or piece of paper. Her illustration style is immediately recognizable, with lines and shadows that create some of the deepest and most vivid worlds that you could imagine. I’ve known Rosemary Valero-O’Connell and her work for a few years now, and I’m really excited that I get to talk about her to you before I leave Autostraddle. The Autostraddle Encyclopedia of Lesbian Cinema.
LGBTQ Television Guide: What To Watch Now.If you would like to keep up with the show, please follow us on Twitter and Instagram in a voice message: NerdCraft Nation is a partner of PubSquare Media, and is hosted by Austin Hall Jose Lopez Brandon Kesselly and Chris Walker Our theme music was composed by Daniel Faris on SoundCloud).
Brandon had the pleasure of speaking with her after her big night back in September 2019.
She has previously worked with DC Comics and BOOM! Studios on a Gotham Academy/Lumberjanes crossover, illustrated a Steven Universe graphic novel, and was previously nominated for two Eisner Awards for Best Coloring and Best Single Issue/One-Shot, for her comic What is Left. Rosemary Valero-O’Connell describes herself as "a large, friendly cartoon cat that’s been sleeping on your windowsill since 1994." Her original graphic novel Laura Dean Keeps Breaking Up With Me won her three Ignatz Awards at the 2019 Small Press Expo for Outstanding Artist, Outstanding Graphic Novel, and Outstanding Story.
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